http://crucifriction.livejournal.com/ (
crucifriction.livejournal.com) wrote in
capeandcowllogs2012-01-20 10:03 pm
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so marvelous and dangerous
WHO:
crucifriction and
sh_consulting
WHERE: An abandoned building.
WHEN: The morning of the 26th, continuing from the night of the 25th.
WARNINGS: Violence.
SUMMARY: Sherlock intrudes upon Azrael. It doesn’t go well.
FORMAT: First quick, then I don't know.
[ It’s a beautiful night for casting punishment on the wicked, however old as it might be. Within an abandoned little construction lie, falling apart at its edges—holes in the floors peering down on the floors below, splinters and glass scattered across its floors. Scarce sad scaffolding still clings to its edges, remnants of a renovation long since forgotten.
Within the third, top floor of this place does an evil man sit unwillingly bound and gagged. Michael (not right now, Azrael) holds Sin dangerously close to his legs, threatening (no, foreshadowing) to stroke downward in a smooth, brutal sweep.
He’s been babbling to him for an immeasurable amount of time, voice booming with fanatical fervor, steady in his broken convictions. It echoes throughout the building, shaking off the walls—mostly nonsense, his madness growing exponentially within the past few weeks. If the massive doors to the structure creak, he doesn’t notice them. ]
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WHERE: An abandoned building.
WHEN: The morning of the 26th, continuing from the night of the 25th.
WARNINGS: Violence.
SUMMARY: Sherlock intrudes upon Azrael. It doesn’t go well.
FORMAT: First quick, then I don't know.
[ It’s a beautiful night for casting punishment on the wicked, however old as it might be. Within an abandoned little construction lie, falling apart at its edges—holes in the floors peering down on the floors below, splinters and glass scattered across its floors. Scarce sad scaffolding still clings to its edges, remnants of a renovation long since forgotten.
Within the third, top floor of this place does an evil man sit unwillingly bound and gagged. Michael (not right now, Azrael) holds Sin dangerously close to his legs, threatening (no, foreshadowing) to stroke downward in a smooth, brutal sweep.
He’s been babbling to him for an immeasurable amount of time, voice booming with fanatical fervor, steady in his broken convictions. It echoes throughout the building, shaking off the walls—mostly nonsense, his madness growing exponentially within the past few weeks. If the massive doors to the structure creak, he doesn’t notice them. ]
no subject
The signs of Azrael's trail here hadn't been hard to follow - dragging a hostage home wasn't exactly something that one could accomplish without leaving marks.
Gun in hand, he pushes the huge doors open just a crack - just a sliver, to slip through. Gun in his hand, adrenaline in his veins and it just feels so much better than it has in weeks.
He hears the babbling long before he gets to it - the murmured whisper of a voice from two floors down, slowly growing louder as Sherlock's silent footfalls padded up the steps.
He stepped into the room with all the careful quiet of a feline predator, gun raising.]
I would say that I'm sorry to interrupt, but I'm not.
no subject
His tone is impassionate, controlled, as if a sliver of sanity has been restored to him. ]
What are you trying to accomplish, Sherlock? Who do you believe you're saving?
no subject
He kept inching closer, each footfall soft but deliberate. Tiny little white notes began to appear around the victim, every detail of the man's life springing to life. It didn't matter to Sherlock what they said. He could have just come from a murder, but that didn't mean Sherlock was about to let a second one happen.
Not when he'd already figured it out.]
Don't even try it. You make a move to hurt him and I'll make sure to put a bullet somewhere very unpleasant.
no subject
[ Yet, he's distracted by the notes. His gaze darts to and fro, forgoing his hostage entirely. ]
Do you wish me to release him? Volunteer myself to be shoved in NOHoPE?
no subject
[The notes. Obviously distracting. Interesting.
Slowly, ever so slowly, the notes started to have other notes in them - thoughts that he slipped in among his observations. Most of them random, but a very small one read: St Dumas. He inched closer.]
Yes. We can start with his release. Ease you into it, if you like.
no subject
That... we may no more be babes, tossed and borne about by every wind of the teaching, [ Slowly, his other hand reaches for the hilt of the other blade. ] in the sleight of men, in craftiness, unto the artifice of leading astray.
no subject
[His reply was so immediate, so precise, that even he blinked in surprise. How had he known that? Sure, he had read through the bible Talia had given him, cover to cover, just to be able to track down and beat Azrael. But he hadn't thought much of it, and he certainly hadn't attempted to memorize it. There was no possible way that was accurate. And yet... Even as ge thought about it, the next lines were already forming in his mind. More then that, the more he thought, the rest of the book made itself open to him.
Impossible.
And yet.... A feral grin spread up his lips.]
Put on the armor of God so you can take your stand against the devil's schemes.
[A note, at Azrael's shoulder, bright and brilliant white: The Suit of Sorrows.]
You may have the armor, Azrael, but the stand is mine.
no subject
[ Recklessly, his foot lashes out―the chair topples with a great creak and a muffled scream as he lifts up his sword arm and chucks it toward Sherlock, in one movement.
Without regard to his own life, he lunges forward towards him. Hand out. ]
no subject
He'd been expecting it. Egging for it, and suddenly, exactly where he was standing milliseconds before, an image: a dark cowl, two points rising from the head, a dark mask with bright eyes... Sherlock's own completely flawed, mythic vision of the Gothamite known as Batman.
He cocks the gun and dives at the chair with the victim in it, hoping against hope that the Batman projection will grant him enough confusion to rip through the binding around the man's hand so that at least he can get himself free.]
Tsk, Azrael! Wrath. Falling into our own traps now, are we?
no subject
By the time he's taking sure and deliberate steps back (clink clink, armor loud as ever) towards Sherlock, he sees that the hostage's bindings are already off. It's inconvenient. ]
Whatever paltry sins I hold pale in comparison to your unrepentant pride, Sherlock. [ Step. Step. ] All your actions are ingnoble, spurred by the search for your own gratification. I know this.
no subject
Yes, yes, oh my pride. And yet, here I am, fighting on the side of the angels.
It must just eat you away inside.
no subject
I won't slay you, if you give me your gun.
no subject
[Still circling, the outer wall to his back - what was ever built of it, anyway. A stiff wind blowing his coat up around his ankles.
He'd accomplished the first task, but the second one was rather more difficult. Probably impossible, but, having to chase down Azrael every time promised to get tedious. His hand slipped into his pocket, pulling out his communicator, eyes and gun still locked on Azrael.]
I have a much better idea.
no subject
[ Leaping forward, Michael shoves his empty hand foward―intent on grabbing the front of Sherlock's coat, unconcerned about the gun. Intent on Sherlock's ruin, his defeat. ]
no subject
no subject
But he's not going to let this stop him, not going to let another one get away from his grasp. Blinking tears away, his arm lashes out yet again with the intent of shoving that arm holding the gun out of the way. ]
You― [ His other hand grabs at, pulls the lapels of Sherlock's jacket. Iron in its grip. ] ―I am not letting you get away with this!
no subject
His other hand is still gripped iron tight around his communicator, his thumb hovering over the record button.]
And yet.
[Scripture. As much as he can remember, pulling it up in seconds, crowding the very air around them - between them.
The word of God, Bright and Blinding.]
no subject
Unable to see, unable to focus, his first instinct is to shove the offender as far away from himself as possible. He can't breathe, for God's sake. ]
no subject
He stumbled backwards, and suddenly there was nothing behind him. His thumb hit the record button out of a sheer moment of panicked realization.
Then he fell. (http://capeandcowl.livejournal.com/3587299.html) ]
no subject
Bending down to take his blade, Michael flees. Runs down the flights of stairs, eyes closed as he leaves the scene of what he assumes to be a murder. He's made too many mistakes, God forgive him, please. Please.
Without looking back, he goes.
EXEUNT ]