capemods (
capemods) wrote in
capeandcowllogs2014-01-07 04:57 pm
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Entry tags:
- *open,
- alastair | hacker,
- danger | n/a,
- edward nygma | riddler,
- frank castle | the punisher,
- frederick chilton | chief of staff!!,
- gemma doyle | n/a,
- gilbert nightray | n/a,
- jenny quantum | eclipse,
- kanaya maryam | sylph of space,
- karen starr | power girl,
- karkat vantas | threshecutioner,
- kate kane | batwoman,
- kirei kotomine | the overseer,
- lillian crawley-jeffries | diamond lil,
- molly hooper | n/a,
- nill | n/a,
- peter parker | spider-man,
- renee montoya | n/a,
- rikku | machina maw,
- scathach | the shadow,
- steve | superhero steve,
- tony stark | iron man,
- valeria richards | n/a
of those blackholes & revelations
WHO: All imPorts.
WHERE: Atropos.
WHEN: January 7th to January 14th.
WARNINGS: Death and destruction.
SUMMARY: Atropos has risen in the night, and the inevitable has come: with her jaws she shears away the City from Earth and swallows it whole.
But the City is not yet dead.
FORMAT: Whatever you please.
The formless mass of metal haunting above, hovering like a lunar tombstone, begins to take shape. Asteroids plummet into the cheeks, the eyes, carving out bone structure. Her features howl with fury, with triumph, as she stares down below, savoring her conquest. A cavity opens. Metal swoops to form jagged, angry shears. Her teeth are born.
She waits as the world rotates, its spin more wobbly than it used to be.
And then she leans down to feast, her bite vampiric. She takes the City and then some, and all that it encompasses, so that every single imPort is captured. She takes the time to drink in any stragglers, any imPorts elusive to the City's thrall.
She holds the City on her tongue as she draws back her fist to punch the world.
And then teeth close to the shuddering, glass shattering vibration of a cosmic laugh. The jaws close, and there is no light for about an hour -- until Atropos begins to siphon solar energy from the sun into her veins. She is dissatisfied with its dying tint, or perhaps she cannot stand the redness of color, so once she injects this energy into her her body (her most intimate domain), she turns it bright yellow again. The universe within her is illuminated.
The City is a floating chunk of broken skyscrapers and puckered asphalt streets. The trauma of consumption has wrecked the usual infrastructure: buildings are half collapses, or skeletal, vehicles are flipped and strewn across the layout. Whatever vegetation that is still clinging onto life has rejoiced under the return of normal sunlight.
You can breathe. It isn't too hot, or too cold -- it's unusually pleasant, in fact. The sunshine veins that light your world are not overwhelming. There is no blue sky to complement the atmosphere, and whatever water still in the City will be constrained to the bottled kind found in shops.
But there are other floating pieces of worlds, and they might have water. Or food.
If you live in the City, your possessions should still be in the City. While about 76% of the natives have fled the City (which had gotten the brunt of focus over the past week), there are still some natives who were too sick, too sentimental or too stubborn to leave.
You'll find that your powers work normally, though you can't teleport within Atropos. You probably wouldn't want to teleport outside of her, anyway.
She swallows, and the City gentle glides down a slick throat. Dust and particles create stunning visuals, like the aurora borealis, except in warmer colors. Light reflects so easily from solar veins and starstrewn flesh.
While you can breathe easily, gravity is fickle. Physics is often defied. Atropos was never one to play by the rules.
WHERE: Atropos.
WHEN: January 7th to January 14th.
WARNINGS: Death and destruction.
SUMMARY: Atropos has risen in the night, and the inevitable has come: with her jaws she shears away the City from Earth and swallows it whole.
But the City is not yet dead.
FORMAT: Whatever you please.
The formless mass of metal haunting above, hovering like a lunar tombstone, begins to take shape. Asteroids plummet into the cheeks, the eyes, carving out bone structure. Her features howl with fury, with triumph, as she stares down below, savoring her conquest. A cavity opens. Metal swoops to form jagged, angry shears. Her teeth are born.
She waits as the world rotates, its spin more wobbly than it used to be.
And then she leans down to feast, her bite vampiric. She takes the City and then some, and all that it encompasses, so that every single imPort is captured. She takes the time to drink in any stragglers, any imPorts elusive to the City's thrall.
She holds the City on her tongue as she draws back her fist to punch the world.
And then teeth close to the shuddering, glass shattering vibration of a cosmic laugh. The jaws close, and there is no light for about an hour -- until Atropos begins to siphon solar energy from the sun into her veins. She is dissatisfied with its dying tint, or perhaps she cannot stand the redness of color, so once she injects this energy into her her body (her most intimate domain), she turns it bright yellow again. The universe within her is illuminated.
The City is a floating chunk of broken skyscrapers and puckered asphalt streets. The trauma of consumption has wrecked the usual infrastructure: buildings are half collapses, or skeletal, vehicles are flipped and strewn across the layout. Whatever vegetation that is still clinging onto life has rejoiced under the return of normal sunlight.
You can breathe. It isn't too hot, or too cold -- it's unusually pleasant, in fact. The sunshine veins that light your world are not overwhelming. There is no blue sky to complement the atmosphere, and whatever water still in the City will be constrained to the bottled kind found in shops.
But there are other floating pieces of worlds, and they might have water. Or food.
If you live in the City, your possessions should still be in the City. While about 76% of the natives have fled the City (which had gotten the brunt of focus over the past week), there are still some natives who were too sick, too sentimental or too stubborn to leave.
You'll find that your powers work normally, though you can't teleport within Atropos. You probably wouldn't want to teleport outside of her, anyway.
She swallows, and the City gentle glides down a slick throat. Dust and particles create stunning visuals, like the aurora borealis, except in warmer colors. Light reflects so easily from solar veins and starstrewn flesh.
While you can breathe easily, gravity is fickle. Physics is often defied. Atropos was never one to play by the rules.
open;
This particular drugstore has a door almost buried behind asphalt rubble and a fallen lampost. Easy enough work to shift, but it means he doesn't have time to move between feeling the tingle of spider-sense and the bite of breathing in -- whatever that was. He dumps his armload and puts a hand to his chest, breathing hard as though fresh air could dislodge whatever he just took in.]
Crap on a crutch, this is not good.
no subject
He probably wasn't thinking, striding over to him through the mist, the scrubbers in his system disabled when the plates of his mask flew up to hover above his head, and he started toward the rather beleaguered looking Spider-Man. ]
You look like you've been running yourself too hard lately.
[ And he walked right through a nice cloud of the stuff. ]
no subject
Hey, I can sleep when I'm dead. Which might not be too long from-- Tony, watch out!
[He drops the hand he'd raised to gesture him to a stop, too late.]
Are your suit diagnostics still working? Think we might need 'em, pronto.
no subject
He nodded, after a cough, already feeling his body go to work. There was one thing he could connect to, and that was himself. ]
There's something wrong. Give me a minute. I'm not running as fast as I normally do.
[ His diagnostics were sluggish, without all the extra trappings that came with his abilities. ]
no subject
Apart from being terrified out of my mind, I mean, but that's nothing new. [He laughs, even though there's nothing funny about it.]
no subject
[ He didn't know why he said that. More than anything, that was uncalled for, it brought up a subject they'd worked very hard to pretend didn't happen, even if it meant utterly ignoring it to the point of not paying attention whatsoever. ]
I'm pretty sure we're all scared out of our mind, so what's one more, right?
no subject
Wh-- seriously, Tony? You're choosing now to take potshots? After ignoring everything I've tried to say about it for years now? What, do you have a guilty conscience to clear before we all bite the dust?
[He sucks in a breath, sharp, knowing something's wrong but unable to stop himself from continuing:]
But that would mean you actually have a conscience. So there's that.
no subject
[ Go figure, he would choose now to start picking up on the subtle hints and digs. Oh, it wasn't that Tony wasn't willing to talk about it, but there was the fact of the matter. He was right.
Did he regret that he was right? Yes. Absolutely. That didn't change things. He was still right. Just because you were dissatisfied with the way the world worked didn't mean that burying his head in the sand would make it any better at the end of the day.
If anything, that would make things worse. People looked up to men like he and Peter, even if he didn't realize it. Even if there were men like Jameson running a wholly different campaign, Spider-Man was influential to the whole of the superhuman community. He'd pulled him in because he thought he knew and respected what he had.
He'd apparently been very, very wrong, and he knew that.
There was nothing to do but move on, and understand that. Move away from being wrong, accepting that, and learning from his mistakes. ]
There's a difference between having a conscience and letting it dictate your every move. Not all of us are motivated by a misplaced sense of guilt.
no subject
I'm pretty sure letting your conscience dictate your every move is exactly what it's for. But y'know, this explains so much-- 42, the supervillain goon squad, threatening my family to keep me in line-- hey! Maybe next time I should buddy-up with Norman Osborn. At least he wouldn't pretend he wasn't going to stab me in the back.
no subject
Bringing up Osborn was a low blow, and it showed. His face twisted, slightly. ]
I can assure you, it's not likely to be in your favor. [ And oh did he know that -- if some of the things he'd seen and heard from the former supervillain were true enough -- oh did he. ]
It's about mitigating what's the necessary sacrifice. Am I proud of everything I did? Of course not, would I do it again? Absolutely. Sometimes we have to give ourselves up to do the right thing for more than just ourselves.
I don't support every policy that's good for my business, but because it's good as a whole, the same thing transfers to us as superheroes. When people broke the law, and we couldn't control them, what else could we do, except sign on the people who were actually cooperating, no matter what their history was.
sorry this is short!
[He took a step closer, balanced on the balls of his feet-- fight or flight, with one option looking considereably more likely.]
no it's perfect!!
Do you think I wanted to? Sometimes, we have to treat everyone equally. I can't just make an exception, no matter who it is. I had to do that. How do you think it would have looked, if the person in charge of registration just let someone walk out, and didn't even try to pursue them? If that got out, then the entire thing would go down the drain.
I don't get that luxury, Peter. You didn't get that luxury, but you weren't willing to set that aside, were you? You weren't willing to accept that we had to make sacrifices to make sure that it worked! I had to send them after you, and when you resisted, they have their orders.
We weren't dealing with innocent children, but superhumans! Any one of us could put someone's life on the line, and end it. The force we used was what we had to use. As SHIELD and the United States ordered us to.
no subject
You think I'm upset I didn't get special treatment? You really think that little of me. Jesus Christ, Tony, I think there are people who've tried to kill me who have more respect for me than that. [Like Frank Castle, the man who saved his life in that sewer.]
I'm not mad about equal treatment, I'm mad about the treatment. Period. About you and Reed having no qualms about strapping people into VR cells and leaving them there, about conscripting teenagers, about threatening family members to keep your flunkies in line--!
[Peter's voice has been ratcheting higher and higher, almost a shout, but just when it seems like he's about to leave off words and let his fists do the talking, he deflates, the transition that sudden. His blood still pounds in his ears, but the compulsion to confess overpowers the desire to use his fists, however strong. There's a small part of him insisting that this isn't normal, none of this is normal, but at least arguing with Tony makes more sense than fighting. Anyway, there's an apocalypse on, so who knows what's normal anymore?]
I gave up a lot for the wrong cause because I trusted you. My entire family did. You don't get to lecture me about making sacrifices, not the way you played me. Did any of it mean anything to you?
["It"-- meaning that brief period when they were, from Peter's perspective at least, like family, and not the kind you put up with for the sake of the kids. Somehow, he's gone from the political right back to the personal.]
You know what? Never mind, it doesn't really matter. But sometimes you need to look at the small picture to appreciate the big one, and that's never been your strong point, has it?
no subject
His healing ability, luckily for him, allowed most of the unknown toxins to filter back out of his body, though not all of it could escape. He didn't notice, particularly; what caught his attention more was the familiar red webbed costume. ]
Spider-Man?
no subject
Norman Osborn. Y'know, it says something about how bad all of this is that I almost don't care that you're here.
Actually, that's a lie. Every time you get near me or anybody I care about I wanna throw up. It's just a question of getting used to it-- wait, what?
[He did not mean to say that.]
no subject
When he spoke his tone dripped confidence. ]
You can relax. I've more pressing things on my plate at the moment than worrying about you or your loved ones. If that changes, throwing up will be wasted time.
no wait different icon
no subject
[ He gives Spider-Man a flat, disdainful glance. Something's weird. ]
What's wrong with you?
no subject
[He cuts himself off, horrified.] I-- that wasn't--
[Oh, hell and goddamn.]
no subject
I'd forgotten you started so young. [ A semi-bluff; he can't precisely remember knowing, but some part of him acknowledges that he must have. He steps closer. ] A dying universe with how many individual lives dying with it? We ought to consider the importance of our own survival in moments like this. There's a power in living through a veritable apocalypse.
A helplessness, too. Survival can't always be within your own grasp.
no subject
[The broken lamppost slides off the debris pile where Spider-Man had left it with a muted clang that cuts him off mid-sentence. But once he's located the source of the sound, his focus snaps right back onto Norman. Even though a part of him is saying that there are other things he should be worrying about, right now.]
You do like to conveniently forget about things, doncha. Well, sometimes it works in my favor.
no subject
But he doesn't, of course, because he's in control. ]
I don't think your age is of much concern at this point. That would make you -- what -- twenty-five now? Thirty? [ /Jeopardy music. ] What's convenient for you is that you aren't important to me right now.
[ He doesn't intend on elaborating. ]
You don't need a hand there, do you?
no subject
All the times I've kicked your butt and you think I can't handle a long metal bar and some rocks? Please.
[Unaware that his thoughts are running parallel to Norman's, Peter looks at the lamppost and remembers the weight of it, considers grabbing it again. The Green Goblin is a tougher opponent than he likes to admit out loud, but he's always had the edge on speed, and Norman expects him to play fair.
Peter turns away sharply, reaching a hand behind him to web the rubble in place without looking. He jerks his shoulders as though he can shrug off the cold sweat trickling down his spine.]
You know this isn't normal, right? Like you said: we both know there's a bigger picture. Not that punching you in the face wouldn't be cathartic, but I know when I'm being manipulated.
no subject
He stays where he is, watching Spider-Man maneuver the rubble himself, and crosses his arms. There's something in his expression that suggests if Spider-Man were to lose his grip Norman would have no qualms standing and watching as he got crushed. ]
Sincere offer, no manipulation necessary. If I wanted to be rid of you there are more straightforward ways to hide a murder in this sort of chaos. Sloppy, but straightforward.
[ He smiles. ]
But I'll leave you be in that case.
sorry for delay, hope this tag makes sense!!
[Spider-Man hesitates, trying not to be obvious about it. There are bigger priorities right now than one corrupt businessman, but as Norman just helpfully announced, the mess they're in creates all sorts of opportunities for him to cause his own unique sort of problems. Maybe it's better to keep his enemy closer, for once-- especially, says that nasty part of him, if it will give him opportunities of his own. He retains at least enough control not to say that part out loud, though it's a near thing.]
Look, if you really mean it-- not that I believe you for a second-- then yeah, better four hands on deck than two. You can consider it part of your PR campaign, if you like.
(no subject)
thank you wrists i have been waiting for this
yay!
(no subject)
(no subject)