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capeandcowllogs2014-01-07 04:57 pm
capemods) wrote in capeandcowllogs2014-01-07 04:57 pm
Entry tags:
- *open,
- alastair | hacker,
- danger | n/a,
- edward nygma | riddler,
- frank castle | the punisher,
- frederick chilton | chief of staff!!,
- gemma doyle | n/a,
- gilbert nightray | n/a,
- jenny quantum | eclipse,
- kanaya maryam | sylph of space,
- karen starr | power girl,
- karkat vantas | threshecutioner,
- kate kane | batwoman,
- kirei kotomine | the overseer,
- lillian crawley-jeffries | diamond lil,
- molly hooper | n/a,
- nill | n/a,
- peter parker | spider-man,
- renee montoya | n/a,
- rikku | machina maw,
- scathach | the shadow,
- steve | superhero steve,
- tony stark | iron man,
- valeria richards | n/a
of those blackholes & revelations
WHO: All imPorts.
WHERE: Atropos.
WHEN: January 7th to January 14th.
WARNINGS: Death and destruction.
SUMMARY: Atropos has risen in the night, and the inevitable has come: with her jaws she shears away the City from Earth and swallows it whole.
But the City is not yet dead.
FORMAT: Whatever you please.
The formless mass of metal haunting above, hovering like a lunar tombstone, begins to take shape. Asteroids plummet into the cheeks, the eyes, carving out bone structure. Her features howl with fury, with triumph, as she stares down below, savoring her conquest. A cavity opens. Metal swoops to form jagged, angry shears. Her teeth are born.
She waits as the world rotates, its spin more wobbly than it used to be.
And then she leans down to feast, her bite vampiric. She takes the City and then some, and all that it encompasses, so that every single imPort is captured. She takes the time to drink in any stragglers, any imPorts elusive to the City's thrall.
She holds the City on her tongue as she draws back her fist to punch the world.
And then teeth close to the shuddering, glass shattering vibration of a cosmic laugh. The jaws close, and there is no light for about an hour -- until Atropos begins to siphon solar energy from the sun into her veins. She is dissatisfied with its dying tint, or perhaps she cannot stand the redness of color, so once she injects this energy into her her body (her most intimate domain), she turns it bright yellow again. The universe within her is illuminated.
The City is a floating chunk of broken skyscrapers and puckered asphalt streets. The trauma of consumption has wrecked the usual infrastructure: buildings are half collapses, or skeletal, vehicles are flipped and strewn across the layout. Whatever vegetation that is still clinging onto life has rejoiced under the return of normal sunlight.
You can breathe. It isn't too hot, or too cold -- it's unusually pleasant, in fact. The sunshine veins that light your world are not overwhelming. There is no blue sky to complement the atmosphere, and whatever water still in the City will be constrained to the bottled kind found in shops.
But there are other floating pieces of worlds, and they might have water. Or food.
If you live in the City, your possessions should still be in the City. While about 76% of the natives have fled the City (which had gotten the brunt of focus over the past week), there are still some natives who were too sick, too sentimental or too stubborn to leave.
You'll find that your powers work normally, though you can't teleport within Atropos. You probably wouldn't want to teleport outside of her, anyway.
She swallows, and the City gentle glides down a slick throat. Dust and particles create stunning visuals, like the aurora borealis, except in warmer colors. Light reflects so easily from solar veins and starstrewn flesh.
While you can breathe easily, gravity is fickle. Physics is often defied. Atropos was never one to play by the rules.
WHERE: Atropos.
WHEN: January 7th to January 14th.
WARNINGS: Death and destruction.
SUMMARY: Atropos has risen in the night, and the inevitable has come: with her jaws she shears away the City from Earth and swallows it whole.
But the City is not yet dead.
FORMAT: Whatever you please.
The formless mass of metal haunting above, hovering like a lunar tombstone, begins to take shape. Asteroids plummet into the cheeks, the eyes, carving out bone structure. Her features howl with fury, with triumph, as she stares down below, savoring her conquest. A cavity opens. Metal swoops to form jagged, angry shears. Her teeth are born.
She waits as the world rotates, its spin more wobbly than it used to be.
And then she leans down to feast, her bite vampiric. She takes the City and then some, and all that it encompasses, so that every single imPort is captured. She takes the time to drink in any stragglers, any imPorts elusive to the City's thrall.
She holds the City on her tongue as she draws back her fist to punch the world.
And then teeth close to the shuddering, glass shattering vibration of a cosmic laugh. The jaws close, and there is no light for about an hour -- until Atropos begins to siphon solar energy from the sun into her veins. She is dissatisfied with its dying tint, or perhaps she cannot stand the redness of color, so once she injects this energy into her her body (her most intimate domain), she turns it bright yellow again. The universe within her is illuminated.
The City is a floating chunk of broken skyscrapers and puckered asphalt streets. The trauma of consumption has wrecked the usual infrastructure: buildings are half collapses, or skeletal, vehicles are flipped and strewn across the layout. Whatever vegetation that is still clinging onto life has rejoiced under the return of normal sunlight.
You can breathe. It isn't too hot, or too cold -- it's unusually pleasant, in fact. The sunshine veins that light your world are not overwhelming. There is no blue sky to complement the atmosphere, and whatever water still in the City will be constrained to the bottled kind found in shops.
But there are other floating pieces of worlds, and they might have water. Or food.
If you live in the City, your possessions should still be in the City. While about 76% of the natives have fled the City (which had gotten the brunt of focus over the past week), there are still some natives who were too sick, too sentimental or too stubborn to leave.
You'll find that your powers work normally, though you can't teleport within Atropos. You probably wouldn't want to teleport outside of her, anyway.
She swallows, and the City gentle glides down a slick throat. Dust and particles create stunning visuals, like the aurora borealis, except in warmer colors. Light reflects so easily from solar veins and starstrewn flesh.
While you can breathe easily, gravity is fickle. Physics is often defied. Atropos was never one to play by the rules.
no subject
But it isn't gravity. It's Kate.
Relief replaces the anxiety and uncertainty. She runs down the ruined aisle, past crushed pews to help pry the doors out of the way. Schnitzel races along behind her, barking loud enough to echo. She reaches for the first part of Kate she can grab a hold of, her mental voice pouring out almost too quickly.]
Are you alright? I couldn't find you. What has happened?
no subject
I'm fine. God...
[ She lets out a soft sigh. ]
I was worried about you two.
[ She reaches her free hand for the dog, stroking her ear lightly. ]
no subject
But none of that matters anymore, because Kate is here, alive and safe. well, as safe as anyone can be at the end of the world.]
We left just before the darkness came. We were looking for you.
no subject
I'm here now.
[ Her gaze drifts to the door. ]
Did you see anyone else?
no subject
Not here. But other people survived.
no subject
[ She tears her eyes from the doorway, focusing on Nill. She rests a hand atop of Nill's head and sighs. ]
We'll be alright.
no subject
There is food and water here if you can carry some.
no subject
My bike was wrecked, so we'll have to move out on foot.
no subject
That is fine. Where are we going to go?
no subject
The Porter. If she's still around, she might be our ticket out.
no subject
We had better get moving.
no subject
[ She whistles to signal Schnitzel. ]
Come girl.
no subject
Lead the way.
no subject
It's almost as if they've stepped onto the set of a disaster movie, but it feels more than real. ]
I'm not leaving this time.
[ No more running. No more apprehension. ]
no subject
Then we will be just fine.
no subject
[ She repeats. There's a part of her that fears the worst, but she forcibly moves past it with each step the two make out of the church.
Glass and broken wood crunch beneath her boots as they get closer to the torn down door. She moves aside so Nill can get through first, getting behind Schnitzel to carefully lift her so her paws don't step on anything sharp. ]
Easy girl.