Katurian Katurian (
goryteller) wrote in
capeandcowllogs2010-03-19 08:25 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
but you're caught in your own glory
WHO: Katurian and You! (Open)
WHERE: Central Park
WHEN: Backdated to March 14th, all day.
WARNING: Likely descriptions of morbid fiction!
SUMMARY: Katurian tells his stories in the park.
FORMAT: Starting as paragraph, but feel free to tag as you'd like!
Today, Katurian wants to make something of himself. He wants to step outside and suck in the fresh air. He wants the breeze in his hair. He wants people to look him in the eye, to smile at him, to remember his name. He wants to tell stories.
You're manic, he tells himself. He doesn't know much about psychology, but he isn't sure what else it could be, given the week he's had. The bruise he received after wiping Margaret Marks out of existence is a healing, but sickly yellow, and the concussion that came with it hangs between his temples as a dull, but ever present headache. His dreams are fragmented. Awful. He looks in the mirror and isn't sure who he sees anymore. He's a mess inside and out, but today, there's a distant tinge to it, a why does it matter? A vague acceptance.
Acceptance? Of inevitable punishment? Of Death's promised protection? Of the man (ghost?) he's becoming?
Or maybe he wants to enjoy what he has while he still has it. Katurian doesn't know much about himself these days, but the one thing that's constant and will always be constant are his stories. With them, he stays afloat.
At eight in the morning, he brings a crate to Central Park, stands on top of it, and starts telling fairy tales. He tells the ones he's already told the Network, and the ones he hasn't. He tells stories from home, too, although there are some he can't tell, some that left a sickening taste in his mouth when he practiced them in front of the mirror beforehand. The Pillowman was one of them, but that isn't surprising. He knows he doesn't want to use that one anyway.
WHERE: Central Park
WHEN: Backdated to March 14th, all day.
WARNING: Likely descriptions of morbid fiction!
SUMMARY: Katurian tells his stories in the park.
FORMAT: Starting as paragraph, but feel free to tag as you'd like!
Today, Katurian wants to make something of himself. He wants to step outside and suck in the fresh air. He wants the breeze in his hair. He wants people to look him in the eye, to smile at him, to remember his name. He wants to tell stories.
You're manic, he tells himself. He doesn't know much about psychology, but he isn't sure what else it could be, given the week he's had. The bruise he received after wiping Margaret Marks out of existence is a healing, but sickly yellow, and the concussion that came with it hangs between his temples as a dull, but ever present headache. His dreams are fragmented. Awful. He looks in the mirror and isn't sure who he sees anymore. He's a mess inside and out, but today, there's a distant tinge to it, a why does it matter? A vague acceptance.
Acceptance? Of inevitable punishment? Of Death's promised protection? Of the man (ghost?) he's becoming?
Or maybe he wants to enjoy what he has while he still has it. Katurian doesn't know much about himself these days, but the one thing that's constant and will always be constant are his stories. With them, he stays afloat.
At eight in the morning, he brings a crate to Central Park, stands on top of it, and starts telling fairy tales. He tells the ones he's already told the Network, and the ones he hasn't. He tells stories from home, too, although there are some he can't tell, some that left a sickening taste in his mouth when he practiced them in front of the mirror beforehand. The Pillowman was one of them, but that isn't surprising. He knows he doesn't want to use that one anyway.
no subject
He manages a smile. He doesn't think he likes Tyki, all of their conversations considered. He tends to have an almost gut inclination for forgiveness, however, no matter how much he tries to maintain a grudge. He forgave the detectives for torturing him. He forgave his brother for killing those children, for betraying his trust. The only exclusion to the rule is his parents. He can't find any rationale behind their actions that he doesn't hate.
Tyki is mildly unpleasant. That's all. Katurian can treat him like a friendly acquaintance, if he needs to.
"How long have you been listening?" he asks. He glances around, as though looking at the space where the crowd once stood would remind him of Tyki's place within it, although of course, he didn't notice then and won't know now.
no subject
Though Joyd was screaming for blood, Tyki himself bore no ill-will to the story-telling boy, today. He simply wanted to talk and continue listening to the boy's stories, nothing more and nothing less. His smile never faded.
"Do you have any more?"
no subject
"It is important," he says. "It is. And I always have more. I have something like a hundred, here and now, but I had much more back home, and it's only a matter of remembering them and writing them down again. You've really been here from the start?"
It's not a question, so much as an almost hopeful, proud excitement.
no subject
A coincidence, that.
"I have," he answered, nodding. "I particularly enjoyed the one about the Starving Village..." he paused, trailing off as he lightly grabbed at his chin. After a moment, he spoke again. "--Even if it did show the wolf in a particularly lopsided light. Tsk."
no subject
"But it wasn't a lopsided light," he says. He isn't upset, but he is determined to prove Tyki wrong. His voice hasn't lost the enthusiasm. Talking about his stories is talking about his stories, after all, and Tyki did say that he liked them. "You see, the wolf was desperate. He had become desperate, because there was something he was promised and couldn't have, something essential to his very survival. He's not a bad wolf."
no subject
His smile was slow, nearly sensuous. Katurian had all the right words, but none of the right ideas to go about his line of work. The morbid, grim tone was perfect -- and, Tyki guessed, something he had discovered rather personally -- but, each story seemed too surreal, too routine to him, as if the story-telling boy was speaking from first hand experience, rather than his imagination.
durr edits
It has always appealed to him, this hope-but-not-hope, the shifting of terms, the happy endings that hang in sight and then dissipate into thin air. Twists. It's a common theme in his stories (he doesn't have themes, he'd say), but he never questions it. It's just an irony he enjoys weaving. There's nothing more fun than playing the cruel, spiteful god.
no subject
no subject
"What?" he asks. He fidgets, running a hand up through his bangs. "A story can have a twist, but you don't know there's going to be a twist. Do you? I mean, even if you did, it shouldn't give away anything. I hope it doesn't give away anything."
no subject
His own situation notwithstanding, of course. There was no such thing as Theory of Noah.